Blinded by the Light 21: Gap Year
Hi, I’m 65 years old and unlike many of my friends, I’m not thinking about retirement, not even close. Instead, I work two jobs, and for the first time in nearly two decades, I awaken every morning free from deep, haunting existential economic fears. I think this means that after 20 years of intense struggle and depression, I’ve returned to the bottom rungs of the Middle Class. This blog is an exercise in figuring out what that means.
A little more than a year has transpired since this series was extant. I can’t really resume it without an explanation, which is a nice thing about writing. To explain what happened you have to—or at least should—have a grasp of what you’re talking about, but in terms of why I stopped writing this blog, I really didn’t know. After some consideration of the past few months, I began to realize what happened. It’s a simple explanation with a complex backstory.
The simple explanation is I got tired. I think it’s not unreasonable that I’m always at least a little weary. I have worked six or seven days a week for most of my adult life. But what made the fatigue of late 2024 and most of 2025 so different is that it was accompanied by a bit of disillusionment. Fatigue + disillusionment is a potent combination, and it often results in an uncomfortable stasis.
I began feeling the fatigue early in 2024. I got a call from an editor buttering me up and asking me to do a story on a quick turnaround. I usually say yes to these requests if only for the adrenaline rush of meeting a deadline, but I couldn’t imagine mustering the energy to do the reporting in a short period of time and then write eloquently. So, I heaved a heavy sigh and said no. I am aware that once you say no to one editor, all—or at least many—of the editors I work with were going to stop calling. It’s how the universe works. I didn’t care. I needed a break. Since December 2021 when I took the job managing 67Gourmet, a cheese shop near Lincoln Center, my work life had become relentless. I often awoke at 6 or 6:30 to write whatever assignment was in my inbox—and there were usually several—then at 9:30 I raced off to the store to work from 10:30 to 7:30 then I returned home at 8:30 to sift emails, listen to the new releases and the like. A few months like that is grueling; imagine a few years. By early 2024, I was entering my third year in that mode, and I, I, just couldn’t anymore.
The store’s success had been fulfilling, but summer 2024, we hit a hard moment. The heatwave that followed Memorial Day and seemed to last for three months chased our toniest clientele out of town. Furthermore, our proximity to Central Park was no longer an asset, no one wanted to go picnicking on a humid 95-degree day with severe thunderstorms looming. We had our first year over year downturn and it was severe. The store’s owner got cranky and began making existential threats about the store’s future on a regular basis.
That’s when disillusionment really set in. I know I’m working my butt off because I have no choice, and I know that most 65-year-old journalists would happily trade places. But this long skein of 15 hour workdays didn’t seem to be getting me anywhere, especially since it wasn’t balanced by movies, cooking, biking, yoga classes and other restorative types of leisure. I began to feel as if I’d failed myself again. But there were stories to be written, and a store to run, so I soldiered on. What else could I do?
The stress got worse in the winter when a sudden vacancy in my apartment left me with double rent to pay for two months, and the usual first quarter blues at the store triggered the owner into laying off one of my three staffers and cutting back our schedule. Then one of my remaining two teammates fell ill and missed six weeks. At that point, it did feel as if I’d dug myself into an inescapable hole.
Crisis sometimes fosters clarity, and I began seeking the sensibilities I’d lost and assumed would come naturally to me. This project’s predecessor’s blog, Life on Aisle 2, was about seeking daylight. This blog is about what happens when that daylight is found. I had to focus on whether I’d really found daylight or was that an onrushing train approaching.
I needed time for such contemplation, so I did something few New Yorkers would do. I changed my commute, rather take the subway between my workstations (home is essentially a workplace with a bed and a kitchen), I began taking the bus. For one, I love New York City, and the view of the streets and neighborhoods celebrates that love better than views of the subway tunnels. My mind began to expand and see possibilities again.
I also began to see the present period as one of the vagaries in the pursuit of my goal. Meanwhile, I found a roommate, sales at the store resumed their upward trajectory, and I began to feel a lot less like a failure.
I typically hear that if you don’t feel doubt in your quest then you’re being insufficiently ambitious. I’m no stranger to ambition, but I’m no stranger to doubt either. Even less so, now.
I began writing this chronicle, first about surviving being downwardly mobile in middle age, then gingerly re-entering the middle class, because when I write it has a happy ending. I typically write about music, so that usually meant that the band was happy with their new recording and eager to go on tour or the reverse, they were happy with the new songs that they worked on and were chomping at the bit to get into the studio. Writing about my plight had become a way of believing that this situation would end well. That belief wavered for about a year. I think I have it back.
Martin Johnson is a freelance writer whose work on music, sports and culture has appeared in the Wall Street Journal, NPR, Tidal, Bandcamp, Wine Enthusiast, Jazz Times, New York Times, Newsday, New York, Vogue, Rolling Stone, Huffington Post, The Root, Slate, The Atlantic, and numerous other publications and websites. He also blogs at Rotations, and he can be contacted at thejoyofcheese@gmail.com










